Like most of Salgado’s work, MIGRATIONS from the beginning, sets itself as a bible for documentary photography. The black and white, high impact, historical images, makes a mark and stays with you, easily placing the viewer into the action, the struggles, the pain, and time in history.
While exploring MIGRATIONS, I feel physical responses that oscillate between having a hole in my gut to sometimes caressing my arm up and down, as it seemed like my skin is curling. The images are raw and alive.
The book is divided into four very large sections depicting the subjects it covers:
Migrants & Refugees: The Survival Instinct
Page 50, children at the door of a plane, Moscow, Russia, 1994
Page 60, people ashore pulling a small boat, Vung Tau, Vietnam, 1995
Page 118, elderly woman sitting at the train steps, Vinkovci, Croatia, 1994
The African Tragedy: A Continent Adrift
Page 190, naked man, lying on his back on the ground, dying of cholera, encircled by people, Zaire, 1994
Page 211, woman with child wrapped on her back, seating on train tracks, Zaire, 1997
Latin America: Rural Exodus, Urban Disorder
Page 270/271, peasant child dressed in soiled clothing, carrying a sack on her back and the harshness of her life on her face, Imbabura Province, Ecuador, 1998
Page 308/309 daily life after Hurricane Mitch, Honduras, 1998
Asia: The World New Urban Face
Page 350, coexisting men and buffalo, Bombay, India, 1995
Page 368, construction, Ho Chi Minh City, Vietnam, 1995
MIGRATIONS has over 400 images, mostly one photograph per page, and many double pages with one image. Inclusive to the book is a booklet explaining each photograph, which is very helpful so the viewer can experience the photographs without having to refer to the back of the book for the image index.
For book specifics see Amazon.com below
By Sebastião Salgado
The NO MIDDLEMAN ART GALLERY is an
Edge of Humanity Magazine project.
The NO MIDDLEMAN ART GALLERY is designed to connect art seekers and collectors with artists DIRECTLY. The gallery is not a mall, but instead a collection of remarkable works of art that bring together artists and potential buyers.
Following Edge of Humanity Magazine‘s footsteps of publishing unparalleled content from artists and photographers worldwide, the NO MIDDLEMAN ART GALLERY is on a mission to provide it’s viewers art that is unique and diverse.
Written By Joelcy Kay – Curator
Every piece of art, crafts, or textiles, hanging on my walls or ceiling tells a tiny passage of my life. Most of it was acquired during my travels. Many of these treasures are damaged whether because they were broken on arrival, as the pieces were tightly stuffed into my backpack, or weathered by the unforgiving Florida tropical humidity. But in the end, they are my precious processions and they are part of the stories I tell. It feels good to have rugs hanging from the ceiling, masks on the walls, and drinking my morning coffee thinking of the mugs’ tale. The point here is that art has a lot to offer each one of us; ART IS VERY PERSONAL!
The NO MIDDLEMAN ART GALLERY offers that personal experience as the individual has the opportunity to buy the art from the creator and by doing so a new event to remember is born. When you hang the work of art on your wall there is a story behind it; an artist you now know and follow. And instead of the usual “I purchased this at “WWW(BIG BIG ART STORE).COM” the connection enriches the emotional value of your art piece.
WHY DISPLAY YOUR ART AT THE NO MIDDLEMAN ART GALLERY?
The gallery is designed to connect the art seekers and collectors with artists directly. We offer artists a COMMISSION FREE / CONTRACT FREE online platform to sell their creations and engage with their clients using portfolio pages that are engaging with large images and a dramatic black background.
NO MIDDLEMAN is a boutique ART GALLERY; individuals browsing our archives and portfolio pages are relaxed, not pressured to sign up, agree with website terms, or maneuvering out of pop-up windows.
For details regarding participating in the NO MIDDLEMAN ART GALLERY please contact Joelcy Kay the curator at firstname.lastname@example.org.
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